Rineke Dijkstra’s portraits are so captivating that every
time I see them, I pause because they provide something different each time.
Her technique, both visually and conceptually, look to be so simple yet they
provide a depth that can be easily overlooked if one passes by too quickly. She
keeps her backgrounds simple and focuses on lighting to showcase her figures.
Dijkstra usually works in a series that comprise of individual
portraits capturing a person’s state of transition. She keeps the compositions minimal
to avoid assumptions about that individual’s personal life. However, there are
hints left behind that create wonder within the viewer (i.e. scuffed knees,
worn shoes, tired expressions).
For me, having children, the images of the young boy and “tween”ager
reengages my memories of their various stages of adolescence. Meanwhile, , the
young man’s blank tshirt, stripped pin and innocent eyes paired with a
portrait in a uniform and seasoned expression speaks to those who understand
that the military shapes those who choose to join in unexpected ways.
I like the contrast in subject and background in her pictures. The people seem to have a calm awkwardness about them.
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