Friday, August 29, 2014

Paul Ruehrmund - Weekly Post: Part 1



Flying Spinnakers, 1938

Zio and Nightwind, 1939

Internationals Crossing Tacks, 1941

Morris Rosenfeld  left school in 1898 at age 13 to apprentice to various photographers, one of whom was Edwin Levick, the leading yacht photographer of the day. In 1908 he set up his own studio in Manhattan and in his early years he took on industrial and advertising assignments which enabled him to pursue his passion, the imagery of watercraft.  He used a large format one shot film camera.  He eventually brought his three sons David, Stanley, and William into the business and they also published under the name of M. Rosenfeld as their father would not allow them to use their own names.  Through a process known as dodging and burning (also used by Ansel Adams) they became masters of photo manipulation, even adding clouds in the developing process.  Their pictures, most of which were black and white, look like paintings and project a sense of movement and power.  Their 1938 picture "Flying Spinnakers" was on the cover of Time Magazine. In 1984 after more than 100 years and almost one million prints, Stanley Rosenfeld, the last surviving son, sold the collection to the Mystic Seaport Museum.

Morris Rosenfeld and his sons wanted to project the beauty of the sea and the vessels that sailed (and motored) it.  They had an eye for detail and composition and their use of imaging techniques transformed their pictures into works of art.  They were the acknowledged leaders in their field for over 100 years.

https://en.wikipedia.org/wiki/Dodging_and_burning










  






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